The Druid of Shannara
- Paperback: 384 pages
- Publisher: Del Rey Books
- Published: (March 1991)
Three hundred years have passed since the death of Allanon, and the Four Lands are not even remotely the same. the Elves have vanished, the Dwarves have been enslaved and slaughtered, and the Federation has total rule over the Southland, making magic strictly forbidden.
Summoned by the Shade of Allanon, the Scions of Shannara are given charges to fulfill if the Four Lands are ever to revert back to the way they once were. Par Ohmsford was to find the legendary Sword of Shannara which everyone has known has been lost for over 100 years. Wren Ohmsford was to seek out the Elves and bring them back to the world of Man, and Walker Boh was to bring back lost Paranor and the Druid as well.
All of these tasks are manifestly impossible.
“The second installment of Brooks’s new series, after The Scions of Shannara , follows Walker Boh as he reluctantly seeks the Black Elfstone, needed to bring back vanished Paranor, a quest laid on him by the shade of the Druid Allanon as part of the effort to save the Four Lands from the wraith-like Shadowen. Walker is rescued from a Shadowen attack by the beautiful and tragic Quickening, daughter of the legendary King of the Silver River. Walker and Quickening, with Morgan Leah and Pe Ell, travel to the land of the Stone King, who has stolen the Elfstone and is determined to turn the world into his own element. As the small band struggles though hostile terrain, Pe Ell’s secret mission to assassinate Quickening complicates the battle with the Stone King’s minions and his awesome powers. While this volume briefly touches on the fortunes of other questers, it appears that they will form the basis of future installments. Broadening the landscape of his magic world, Brooks has produced a deep and thoughtful fantasy. ” — Publishers Weekly
“This book in the second trilogy about Shannara, which began with The Scions of Shannara (Ballantine, 1990), is set over 300 years after the end of the first trilogy and the death of the Druid Allanon. The evil Shadowen still retain their hold and continue to drain the Four Lands of the magic that had been their lifeblood. The King of the Silver River, a fabulous being as old as mankind, creates a daughter named Quickening and sends her to assist. She joins Morgan Leah and Pe Ell, an assassin who plans to eventually kill her, on a journey to the far north to recover the lost magic, a process that involves the need to capture the Black Elfstone. Brooks weaves an intricate tale with a richly detailed fantasy world peopled with multidimensional characters. As with the previous four books about Shannara, fans will not be disappointed with this wonderful fairy tale. This should be an automatic pur chase for collections serving fantasy readers.” — School Library Journal
Excerpt: Chapter One
The King of the Silver River stood at the edge of the Gardens that had been his domain since the dawn of the age of faerie and looked out over the world of mortal men. What he saw left him sad and discouraged. Everywhere the land sickened and died, rich black earth turning to dust, grassy plains withering, forests becoming huge stands of deadwood, and lakes and rivers either stagnating or drying away. Everywhere the creatures who lived upon the land sickened and died as well, unable to sustain themselves as the nourishment they relied upon grew poisoned. Even the air had begun to turn foul.
And all the while, the King of the Silver River thought, the Shadowen grow stronger.
His fingers reached out to brush the crimson petals of the cyclamen that grew thick about his feet. Forsythia clustered just beyond, dogwood and cherry farther back, fuchsia and hibiscus, rhododendrons and dahlias, beds of iris, azaleas, daffodils, roses, and a hundred other varieties of flowers and flowering plants that were always in bloom, a profusion of colors that stretched away into the distance until lost from sight. There were animals to be seen as well, both large and small, creatures whose evolution could be traced back to that distant time when all things lived in harmony and peace.
In the present world, the world of the Four Lands and the Races that had evolved out of the chaos and destruction of the Great Wars, that time was all but forgotten. The King of the Silver River was its sole remnant. He had been alive when the world was new and its first creatures were just being born. He had been young then, and there had been many like him. Now he was old and he was the last of his kind. Everything that had been, save for the Gardens in which he lived, had passed away. The Gardens alone survived, changeless, sustained by the magic of faerie. The Word had given the Gardens to the King of the Silver River and told him to tend them, to keep them as a reminder of what had once been and what might one day be again. The world without would evolve as it must, but the Gardens would remain forever the same.
Even so, they were shrinking. It was not so much physical as spiritual. The boundaries of the Gardens were fixed and unalterable, for the Gardens existed in a plane of being unaffected by changes in the world of mortal men. The Gardens were a presence rather than a place. Yet that presence was diminished by the sickening of the world to which it was tied, for the work of the Gardens and their tender was to keep that world strong. As the Four Lands grew poisoned, the work became harder, the effects of that work grew shorter, and the boundaries of human belief and trust in its existence–always somewhat marginalaO”began to fail altogether.
The King of the Silver River grieved that this should be. He did not grieve for himself; he was beyond that. He grieved for the people of the Four Lands, the mortal men and women for whom the magic of faerie was in danger of being lost forever. The Gardens had been their haven in the land of the Silver River for centuries, and he had been the spirit friend who protected its people. He had watched over them, had given them a sense of peace and well-being that transcended physical boundaries, and gave promise that benevolence and goodwill were still accessible in some corners of the world to all. Now that was ended. Now he could protect no one. The evil of the Shadowen, the poison they had inflicted upon the Four Lands, had eroded his own strength until he was virtually sealed within his Gardens, powerless to go to the aid of those he had worked so long to protect.
He stared out into the ruin of the world for a time as his despair worked its relentless will on him. Memories played hide-and-seek in his mind. The Druids had protected the Four Lands once. But the Druids were gone. A handful of descendents of the Elven house of Shannara had been champions of the Races for generations, wielding the remnants of the magic of faerie. But they were all dead.
He forced his despair away, replacing it with hope. The Druids could come again. And there were new generations of the old house of Shannara. The King of the Silver River knew most of what was happening in the Four Lands even if he could not go out into them. Allanon’s shade had summoned a scattering of Shannara children to recover the lost magic, and perhaps they yet would if they could survive long enough to find a means to do so. But all of them had been placed in extreme peril. All were in danger of dying, threatened in the east, south, and west by the Shadowen and in the north by Uhl Belk, the Stone King.
The old eyes closed momentarily. He knew what was needed to save the Shannara childrenaO”an act of magic, one so powerful and intricate that nothing could prevent it from succeeding, one that would transcend the barriers that their enemies had created, that would break past the screen of deceit and lies that hid everything from the four on whom so much depended.
Yes, four, not three. Even Allanon did not understand the whole of what was meant to be.
He turned and made his way back toward the center of his refuge. He let the songs of the birds, the fragrances of the flowers, and the warmth of the air soothe him as he walked and he drew in through his senses the color and taste and feel of all that lay about him. There was virtually nothing that he could not do within his Gardens. Yet his magic was needed without. He knew what was required. In preparation he took the form of the old man that showed himself occasionally to the world beyond. His gait became an unsteady shamble, his breathing wheezed, his eyes dimmed, and his body ached with the feelings of life fading. The birdsong stopped, and the small animals that had crowded close edged quickly away. He forced himself to separate from everything he had evolved into, receding into what he might have been, needing momentarily to feel human mortality in order to know better how to give that part of himself that was needed.
When he reached the heart of his domain, he stopped. There was a pond of clearest water fed by a small stream. A unicorn drank from it. The earth that cradled the pond was dark and rich. Tiny, delicate flowers that had no name grew at the water’s edge; they were the color of new snow. A small, intricately formed tree lifted out of a scattering of violet grasses at the pond’s far end, its delicate green leaves laced with red. From a pair of massive rocks, streaks of colored ore shimmered brightly in the sunshine.
The King of the Silver River stood without moving in the presence of the life that surrounded him and willed himself to become one with it. When he had done so, when everything had threaded itself through the human form he had taken as if joined by bits and pieces of invisible lacing, he reached out to gather it all in. His hands, wrinkled human skin and brittle bones, lifted and summoned his magic, and the feelings of age and time that were the reminders of mortal existence disappeared.
The little tree came to him first, uprooted, transported, and set down before him, the framework of bones on which he would build. Slowly it bent to take the shape he desired, leaves folding close against the branches, wrapping and sealing away. The earth came next, handfuls lifted by invisible scoops to place against the tree, padding and defining. Then came the ores for muscle, the waters for fluids, and the petals of the tiny flowers for skin. He gathered silk from the unicorn’s mane for hair and black pearls for eyes. The magic twisted and wove, and slowly his creation took form.
When he was finished, the girl who stood before him was perfect in every way but one. She was not yet alive.
He cast about momentarily, then selected the dove. He took it out of the air and placed it still living inside the girlaO(TM)s breast where it became her heart. Quickly he moved forward to embrace her and breathed his own life into her. Then he stepped back to wait.
The girl’s breast rose and fell, and her limbs twitched. Her eyes fluttered open, coal black as they peered out from her delicate white features. She was small boned and finely wrought like a piece of paper art smoothed and shaped so that the edges and corners were replaced by curves. Her hair was so white it seemed silver; there was a glitter to it that suggested the presence of that precious metal.
“Who am I?” she asked in a soft, lilting voice that whispered of tiny streams and small night sounds.
“You are my daughter,” the King of the Silver River answered, discovering within himself the stirring of feelings he had thought long since lost.
He did not bother telling her that she was an elemental, an earth child created of his magic. She could sense what she was from the instincts with which he had endowed her. No other explanation was needed.
She took a tentative step forward, then another. Finding that she could walk, she began to move more quickly, testing her abilities in various ways as she circled her father, glancing cautiously, shyly at the old man as she went. She looked around curiously, taking in the sights, smells, sounds, and tastes of the Gardens, discovering in them a kinship that she could not immediately explain.
“Are these Gardens my mother?” she asked suddenly, and he told her they were. “Am I a part of you both?” she asked, and he told her yes.
“Come with me,” he said gently.
Together, they walked through the Gardens, exploring in the manner of a parent and child, looking into flowers, watching for the quick movement of birds and animals, studying the vast, intricate designs of the tangled undergrowth, the complex layers of rock and earth, and the patterns woven by the threads of the Gardens’ existence. She was bright and quick, interested in everything, respectful of life, caring. He was pleased with what he saw; he found that he had made her well.
After a time, he began to show her something of the magic. He demonstrated his own first, only the smallest bits and pieces of it so as not to overwhelm her. Then he let her test her own against it. She was surprised to learn that she possessed it, even more surprised to discover what it could do. But she was not hesitant about using it. She was eager.
“You have a name,” he told her. “Would you like to know what it is?”
“Yes,” she answered, and stood looking at him alertly.
“Your name is Quickening.” He paused. “Do you understand why?”
She thought a moment. “Yes,” she answered again.
He led her to an ancient hickory whose bark peeled back in great, shaggy strips from its trunk. The breezes cooled there, smelling of jasmine and begonia, and the grass was soft as they sat together. A griffin wandered over through the tall grasses and nuzzled the girl’s hand.
“Quickening,” the King of the Silver River said. “There is something you must do.”
Slowly, carefully he explained to her that she must leave the Gardens and go out into the world of men. He told her where it was that she must go and what it was that she must do. He talked of the Dark Uncle, the Highlander, and the nameless other, of the Shadowen, of Uhl Belk and Eldwist, and of the Black Elfstone. As he spoke to her, revealing the truth behind who and what she was, he experienced an aching within his breast that was decidedly human, part of himself that had been submerged for many centuries. The ache brought a sadness that threatened to cause his voice to break and his eyes to tear. He stopped once in surprise to fight back against it. It required some effort to resume speaking. The girl watched him without comment–intense, introspective, expectant. She did not argue with what he told her and she did not question it. She simply listened and accepted.
When he was done, she stood up. “I understand what is expected of me. I am ready.”
But the King of the Silver River shook his head. “No, child, you are not. You will discover that when you leave here. Despite who you are and what you can do, you are vulnerable nevertheless to things against which I cannot protect you. Be careful then to protect yourself. Be on guard against what you do not understand.”
“I will,” she replied.
He walked with her to the edge of the Gardens, to where the world of men began, and together they stared out at the encroaching ruin. They stood without speaking for a very long time before she said, “I can tell that I am needed there.”
He nodded bleakly, feeling the loss of her already though she had not yet departed. She is only an elemental, he thought and knew immediately that he was wrong. She was a great deal more. As much as if he had given birth to her, she was a part of him.
“Goodbye, Father,” she said suddenly and left his side.
She walked out of the Gardens and disappeared into the world beyond. She did not kiss him or touch him in parting. She simply left, because that was all she knew to do.
The King of the Silver River turned away. His efforts had wearied him, had drained him of his magic. He needed time to rest. Quickly he shed his human image, stripping away the false covering of skin and bones, washing himself clean of its memories and sensations, and reverting to the faerie creature he was.
Even so, what he felt for Quickening, his daughter, the child of his making, stayed with him.